Hello. Corfu is calling.
Before this call is answered, however, could you do us a small favour?
Unclench your jaw.
Un-knit your brow.
Take a slow breath.
Now, allow us to take you on a journey to Corfu — the Ionian island just off the western coast of Greece. This is not a guide, and it is not a manifesto. It is a story. A story about tourism, about its quieter sibling — sustainable tourism — and about what happens when the noise suddenly stops.
This is a story told gently, from a local perspective. It may surprise you. At times, you might feel the urge to react quickly — to agree, to disagree, to defend. We ask only that you pause instead. Listen. Let the story unfold.

From Too Many to Too Few: When the Island Fell Silent
Imagine a city that once received and sent off entire worlds.
Now imagine it hushed.
In the summer of 2020, Corfu experienced something it had not known for decades: silence. Church bells echoed through streets without footsteps. Cypress-covered hills held the sound, returning it softly to towns that felt almost suspended in time. For permanent residents, this was not a postcard moment — it was disorienting, intimate, and deeply unfamiliar.
Corfu was not alone. Across Europe, cities shaped by tourism found themselves emptied of visitors. Rome’s grand avenues lay bare. Barcelona’s La Rambla, long surrendered to foot traffic, was reclaimed by locals walking slowly, almost cautiously. What had once felt inevitable suddenly vanished.
For many, this absence was frightening. Tourism is not an abstract concept here; it is employment, stability, survival. When visitors disappear, entire livelihoods tremble. The pandemic made this visible — sharply, painfully — in a way no report ever could.

Tourism Unleashed — and Finally Seen Clearly
The pandemic revealed many things: inequalities, fragilities, dependencies. Among them was tourism’s least discussed reality — overtourism.
This term gained popularity around 2017, often paired with the sensational idea of “tourismphobia.” Media narratives simplified it into a conflict: locals versus visitors. Angry residents. Careless tourists. A convenient story, but an incomplete one.
Overtourism is not about hostility. It is about imbalance.
It is about rising rents that push residents out of their own neighbourhoods. About historic centres becoming stages rather than homes. About cultures adapting themselves until they no longer recognise their reflection. Platforms, policies, wages, and housing gaps all play their role. Tourism merely amplifies what already exists.
Before judging this tension too quickly, it helps to laugh at it — or at least observe it honestly. Satire, like José Mota’s sketch on tourismophobia, does exactly that. It exaggerates not to insult, but to expose.

Corfu, Benitses, and a Complicated Love Story
Corfu’s geography once allowed its people to live from the land and the sea. Fishing and farming sustained villages quietly, steadily. That balance began to shift in the 1960s, when popular culture entered the scene.
Gerald Durrell’s My Family and Other Animals painted Corfu as an idyllic childhood paradise. British readers followed — first out of curiosity, then in great numbers. Tourism took root, slowly at first, then decisively.
Benitses was among the first villages to feel the change. What began as hospitality turned, by the 1980s, into something louder and faster. Architecture shifted. Values shifted. The village became known not for families and fishing boats, but for excess. Stories travelled faster than truths.
Durrell himself later expressed regret, recognising how easily admiration can tip into exploitation. Tourism, when unmanaged, reshapes not only landscapes but identities.

Two Sides of the Same Coin
Tourism is neither hero nor villain.
It provides income. It creates opportunity. It allows families — including ours — to remain where they were born. Bella Vista exists because tourism made it possible. Many livelihoods across Corfu do.
At the same time, tourism consumes space, resources, patience. It can flatten cultures into performances and turn homes into commodities. It can demand constant growth in places that were never meant to grow endlessly.
The truth sits uncomfortably in between. And that is where responsible tourism begins — not with denial, but with awareness.

Growth, Nature, and the Question of Balance
The debate surrounding projects like Erimitis reflects a global struggle. Economic development promises jobs and infrastructure. Environmental protection defends ecosystems that cannot be rebuilt once lost.
Corfu’s battle mirrors those in Indonesia, Bulgaria, and beyond. Different locations, same question: where does growth stop serving people and start consuming the very thing that made a place valuable?
Responsible tourism does not reject visitors. It asks different questions. Who benefits? Who decides? Who remains when the season ends?

From Tourism Volume to Tourism Value
Restricting tourism alone does not solve inequality. COVID‑19 showed this clearly. What it does offer, however, is a moment to rethink direction.
Mass tourism is not ending overnight, but its dominance is being questioned. Greece, like many destinations, now speaks openly about quality over quantity. About experiences rooted in place rather than consumption.
In villages like Benitses, this means something simple: visitors who come to understand, not to extract. Who walk slowly. Who listen. Who leave space behind them.

A Quiet Ending, and an Open Question
We end this story just off the coast of mainland Greece, where the water softens and the horizon stretches without urgency.
Perhaps the question is no longer whether we should travel, but how.
How we arrive.
How we stay.
How we leave.
Tourism, like any relationship, survives only when it is mutual.

